The Prophecy of Sky contains the Birthright verse, and the verse appears in the End of All (Sky). In the Record Hall's ancient texts, the three separate verses of the song are listed as the prophecies of Sky, Land and Below and are said to be the three prophetic songs meant to save Anankos when he descends into madness.
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After Garon is finally killed, Azura's body quickly liquifies and she disappears.Ĭorrin and Azura discuss its possible origins: while the true origin was lost in time by that point, Azura speculates that it acted as a cry for help from Anankos for those who understood the meaning of the lyrics and to free him from his madness with death. In the Endgame, King Garon transforms into a dragon, forcing Azura to sing the song in order to weaken him enough so he can be slain. Corrin makes her vow to not use it as much as possible. Azura explains the reason for the purple miasma, telling them that using the song causes it and that if she continues to use it in the same magnitude, she may die. It dissipates shortly after, but Azura is left severely exhausted. Azura isolates herself to a nearby lake where she is slowly being consumed by a purplish miasma surrounding her body. In Chapter 20, the Hoshidan army is trapped in Fort Dragonfall and Azura uses the song to allow the army to escape. As they flee, Corrin notices a purple haze appearing over Azura's shoulder. However, the attempted kidnapping results in failure, forcing the Hoshidan army to flee. In the Opera House, she sings the song, causing strong discomfort to King Garon. Seeing the opportunity to kidnap the king and end the war, Zola is forced to use his disguise magic to make Azura appear as Layla. Azura notices him and sings the song, dispelling the mysterious possession over him.Īs the Hoshidan army begins their invasion of Nohr, word reaches the army of King Garon attending a performance at the Opera House. In Mokushu, a possessed Takumi ambushes Corrin's army as they try to rescue Kagero. In Chapter 5, Azura sings the song in hopes of calming a degenerated dragon Corrin. Azura first sings the first stanza of the song by a lake during the opening cutscene and when first meeting Corrin in Chapter 4. This song is performed several times in Fates. Her Hoshido route dance is slower and graceful while her Nohr dance is faster and passionate.
Her dance during the different versions of the song are also different. She sings a different version of the song with a faster tempo, and lower key during Conquest.
The original version of the song first sung in the first trailer for Fates is sung during the Birthright route. Overuse of the song in a short period of time can result in the death of the singer, causing them to liquify and dissipate into mist. The usage of the song on a more powerful scale requires a great deal of energy and constant usage can lead to great pain to the singer. For the sake of ally rejuvenation, the song has no visible effects on the singer other than mild exhaustion. The song, while powerful in its effects, is not without drawbacks. With more effort put into the song, it can dispel possessions, release traps, and quell a raging dragon. At its weakest power, can rejuvenate allies so they can perform another turn of action. The song has numerous applications, each with a varying degree of effects on allies and terrains, as well as the user themselves. Later, Shigure, Azura's son, also learns the song. At the start of Fates, Azura is the only known singer for the song, being taught by her late mother. The song has been taught to all members of the Vallite royal family throughout the ages. However, the song has magical properties when it is sung by a member of Vallite Royalty and the singer is wearing a special pendant. Lost in Thoughts All Alone is a special song that anyone can sing. 2.1 Official English Lyrics (Without Heirs of Fate Lyrics).
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